Accueil | News | Concerts | Critiques | Intervious | Articles | Sources | E-Mail |
Groupes: Massive Attack | Discographie | Protection | Critiques |
1994
While it wasn't as fresh and innovative as Protection, Massive Attack's second album, Protection, was a fine album that refined the group's atmospheric fusion of soul, pop and hip-hop, yet it offered no new musical ideas. Stephen Thomas Erlewine,All-Music Guide
TRADUCTION: Alors qu'il n'était pas aussi frais et innovant que Protection, le second album de Massive Attack, Protection, était un bon album rafinant leur fusion atmosphérique de soul, pop et hip hop, cependant il n'a offert aucune idée nouvelle musicalement parlant. Dans cet album se mêlent la sensibilité, l'énergie, la sophistication et le style dépouillé d'un groupe aux voix et aux ambiances musicales uniques.
There's no brewing conflict in some far off, foreign desert to deprive Massive Attack of their full moniker this time around. Since the release of the Bristol collective's mesmeric debut, Protection, three years ago, much has changed elsewhere too. Shara Nelson, the singer whose gorgeous, aching vocal crowned that album's finest moments (including the two timeless singles, Unfinished Sympathy and Safe From Harm), has gone on after a probably unnecessary musical divorce to limited solo success. Tripped-out rapper Tricky has also set to work recording his own mixed up musical manifesto, but not before hanging back to contribute to two tracks here. And, of course, a host of producers and artists have copied the eerie, urban, dub-soul groove carved out by Protection and worked it into the mainstream.
David Roberts pour Q
|